welcome to Apocalypse Audio, your haven for DIY guitar effects in the end times. so, start prayin to the fuzz gods, savin up those parts, and remember, when the big one goes off- keep your transistors shielded from those pesky electromagnetic pulses!
Showing posts with label JFET. Show all posts
Showing posts with label JFET. Show all posts

17.1.11

FOUR HORSEMEN OVERDRIVE

well, i came up with another dirt pedal the other day.  lately, i've been experimenting with mixing different types of transistors together to achieve new tones, and this one kind of  takes that idea to the extreme.  it's designed under the premise that the stages increase in breakup as it goes along in the circuit, but instead of using stages that increase in gain, different types of transistors are used that exceedingly distort as the the circuit progresses.  for instance, the first gain stage is a silicon BJT.  this is used to get a decent push going and a very slight amount of drive.  next, is a MOSFET transistor, which like to distort a little easier, and in a bit more pleasing and richer way than the previous Si transistor.  finally, there is a germanium stage, which of course loves to distort in a very full and heavy overdrive, especially when driven by the previous gain stages.  the result is a very clear, yet complex crunch, that has a very nice character to it.  to round things out, in the beginning of the circuit is a JFET buffer, which helps to increase the current, and gives a nice high input impedance for the guitar pickup to see.  so in the end there is a total of 4 different types of transistors, each of which i tried to use to their optimum potential.  hence the name, the Four Horsemen Overdrive.

the tone control is a variation on the SWTC, but it has an added pole for a steeper rolloff.  the frequency point where the curve begins is rather high, so it is really more like a presence control- just taming the highest of frequencies, keeping the basic tone intact.

this circuit was spawned from a simpler design called the Nice Little Overdrive.  you can see the evolution in the thread over at FSB.

http://freestompboxes.org/viewtopic.php?f=28&t=11745

here is the schematic as it is in the latest version.



here is a pic of a vero layout that i built up.





and here is a quick video i made on my iphone.  the video is of the previous version without the high end rolloff presence control, and the bypass cap on the last stage, which adds a bit more gain.  the voice of the circuit is basically the same, but there is a little bit more flexibility.   of course the quality isn't the best, but you can get the idea!  ignore the man behind the camera.

21.11.10

MONA LISA OVERDRIVE LAYOUT

i was asked to post a layout for the MLOD, so here it is.  enjoy!  i tried this circuit out with 2n5457, j201, and j309 fets.  they all work fine..  the Q2 position is where most of the magic is.  try different transistors for different tones.  i enjoyed a 2n5210 with an Hfe of 250-300 there, myself.  it had nice midrange content without sounding muddy.  the images are at 600 dpi, a current limiting resistor for the LED has been added, and the gain pot can go up to 10k  that's all you have.  this circuit is a great sounding boost/light OD/ line driver/buffer. i hope you dig it!

take it easy!

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27.8.10

MONA LISA OVERDRIVE

alright, here is my latest offering to the faceless electronic gods of the global interweb.  it's called the Mona Lisa Overdrive after everyone's favorite cyberpunk masterpiece, and dystopian premonition written by William Gibson.  if you haven't heard of  it, check it out!  anyway, on to the the goods- 

i thought i would build something that would turn on the guys that were into the lighter side of things- something different than my usual wall of fuzz tones.  with the MLOD, you can get a heavy boost, or a light overdrive reminiscent of vintage microphone preamps.  the fancy thing about this circuit is the lack of coupling caps in the audio path- something usually reserved for mic pres and hifi circuits.  this lends itself to the "transparent",  uncolored sound happening here.  if you encounter any oscillation at the highest gain settings, simply raise the value of the 100 ohm resistor near the gain control to lower the amount of maximum gain. 

as always, if anyone happens to put this on the breadboard, or if it sounds like something you might want to build, let me know, and i'll whip up a layout for it.

take it easy!

22.7.10

ALL ABOUT CIRCUITS WORKSHEETS

this page from the ALL ABOUT CIRCUITS website has a multitude of worksheets for the electronic diyer to learn from and test themselves with.

http://www.allaboutcircuits.com/worksheets/index.html


there is everything from AC, to DC, to FETs, opamps, filters, and BJTs.  even such simple stuff as ohm's law and caps and resistors.  seriously, everything from atoms to active circuits!

for example, here is one of their "design projects".   the objective is to help you in designing tone control circuits.

http://www.allaboutcircuits.com/worksheets/proj_tone.html

with these worksheets, there should be no excuse not to have some serious kung fu!! hiiiiiieeeyahhh!!!!

CIRCUIT SPLINTERS NO.2 - SZIKLAI PAIR BUFFER AMP


ok, here it is, as promised, AA's Circuit Splinter No.2!  but first, a little warning- i am not an electrical engineer, nor do i claim to resemble anything close to one, here or on television.  please take everything i post as just what it is- the off kilter ramblings of a misinformed diy enthusiast- nothing more, nothing less.  i'm trying to learn just like you.  

now-

we are continuing our limited look into DC coupled buffers and amplifiers.  in this case, a JFET/BJT Feedback Amplifier.  this amplifier configuration is known as what is called a Sziklai Pair, otherwise known as a compound transistor, which is similar to a darlington pair, and sometimes called a compound darlington.  this wikipedia article goes into the sziklai pair a bit more, such as how they are often used in discrete solid state output stages. 


here is a great article as well from answers.com-



in this article is a description of the feedback involved-


and finally, a jensen transformers app-note for a piezo buffer amp-



basically, what we have done that is different here from the last edition of Circuit Splinters(in my limited understanding), is to reduce the amount of feedback from one stage to the next.  previously we had an infinite amount of feedback, which gave us a voltage gain of 0.  by inserting R5 into the picture, we raise the resistance, and therefore lower the amount of feedback.  in doing this, the gain of the stage rises.  as you can see below, the gain of this stage is equal to the ratio of R3 to R5.  so, lower R3, or raise R5, and the gain goes up.  the circuit below has R3-470, R5-4700, so 4700/470 = a gain of 10.  the great thing about this kind of stage is that you have a high input impedance from the FET, a buffered output, and you get voltage gain instead of just current gain as in a classic buffer.  remember that R2 may have to be adjusted to 1/2 your supply voltage on the drain of Q1 for the proper amount of headroom.







i think that this circuit tends to sound best when used in a "clean" gain type of stage, with just a slight amount of breakup.  never the less, many different adjustments can be made.  instead of R3, put a large bypass cap, and move R3 to the emitter of Q2 for more gain.  try different bypass caps for different frequency responses.  bypass Q2's emitter.  if you adjust your bias circuit, you can use a bjt for Q1.  try a Ge pnp for Q2.  see what happens when you put a small cap from the source of Q1 to the collector of Q2.  

here is an example of an RIAA circuit that uses this configuration.  you can see what has been done to tailor the frequency response of the stage for the RIAA curve using RC filters in the feedback section.
(click to enlarge)


here's a version from John Linsley Hood that uses a bootstrapped input-
(click to enlarge)



here's another one that uses a bjt for Q1, and has an interesting baxandall-style tone control based on feedback as well.  note the bias configuration for the BJT input transistor.
(click to enlarge)






as always, if anyone out there has any real knowledge they can share, feel free!  the sky's the limit.  go nuts.  have fun.  take it easy!  

4.7.10

MORE VIDS - JFETS

here's more electronic theory videos, this time JFETS.






29.11.09

WAMPLER - CRANKED AC

recently while browsing a certain clone kit site, i stumbled across the schematic for brian wampler's cranked ac design. having been on a serious ac kick a while back, i was never able to find the schematic, so this was kind of a cool find. the cranked ac at first looks like your run of the mill jfet type distortion box until you notice that wierd parallel fet configuration. ecaxtly what this is supposed to do to the sound i don't know, but it is a rather interesting little tweak. i'm sure that this could be adapted to just about any transistor type, and wonder if it has any of the same kind of properties as stacking ic's.

i redrew the schematic and made up an eagle verified pcb layout which should work ok. if anyone gets it built please let me know .  you can keep up with all of the latest on this subject HERE.


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LAYOUT IS VERIFIED!